The Constant Tower and The Proposition

My review of Carole McDonnell's The Constant Tower is live at Black Gate. It's a story of about suffering, sacrifice, and restoration that contains elements of sci-fi and fantasy. I love the two stories, "Changeling" and "The Night Wife" that McDonnell wrote for the two Griots anthologies edited by Milton Davis and Charles Saunders (they've already got a third, YA-themed, one in the works). Not heroic fiction, instead, her two tales are folklore styled stories of obligations, love, and jealousy.

McDonnell is a Christian (Protestant, Pentecostal subdivision) and there are studies of suffering, service, and sacrifice in the novel. This is all skillfully done so the book never reads like something you'd find on the spinner in the church bookstore. If you aren't religious don't be put off either, there's no proselytizing in The Constant Tower.

There's also enough sex and violence here to keep it off of that same spinner. They're important parts of the world she's created that labors under unending warfare, sexual domination and scarcity. It's a dark broken world in The Constant Tower, much like our own is.

Too many Christian artists I've read (don't get me started on most Christian films) show the messy, painful realities of the world being solved way too easily. As works of art many just stink. Instead of mirroring life in all its hues, dark and light alike, they settle for bright and shiny colors.

I'm not saying this is the best written or most profound novel I've read, but McDonnell has engaged the real world with her art. Christianity is supposed to be challenging and this book definitely doesn't go for the easy outs. I don't read a lot of fiction with anything deeper going on than adventure these days but every now and then I pick up something with a little more going on. This was one of those books. Good, good stuff.

I just watched The Proposition, an Australian Western from 2005. It was written by musician Nick Cave, directed by John Hillcoat, and stars Guy Pearce, Ray Winstone, and Emily Watson. It's dirty, grim, and extra, extra bloody. It's well shot and well acted but in the end I'm not sure what purpose those things serve. It takes itself very seriously but the story's point seems to be little more than it's hard to tame a dangerous land. The relationships between Guy Pearce's characters and his two brothers isn't developed much but that's half of what's driving the story. It's slow moving and the dialogue's a bit ponderous so it's not exactly exciting. I didn't dislike it but I can't imagine ever watching it again. Now, I did just pick up a copy of The Assassination of Jesse James by the Coward Robert Ford the other day, so maybe I'll watch that again tomorrow.

I'm still listening to a lot of Dramarama though a little power pop in the form of Fountains of Wayne, Cheap Trick, Enuff Znuff is getting thrown into the hopper.

Griots: Sisters of the Spear and Stuff

In a marathon reading session, necessitated by a week of illness, I finished the Milton Davis and Charles Saunders edited Griots: Sisters of the Spear. My review over at Black Gate just went up. The book's a sequel to their excellent 2011 sword & soul anthology Griots. As you can tell from this one's subtitle it focuses on women, be they warriors, sorcereresses, queens or wanderers. There's some very good writing and storytelling in G: SotS. Like in the previous book, the standouts include Carole McDonnell and Milton Davis. Other notables this time around are Joe Bonadonna and P. Djeli Clark. I really need to read Dossouye: The Dancers of Mulukau to get a better understanding of Saunders' story "Kpendu." Interesting as it is, I felt like I was coming in on the end of something larger and I assume it's because of events set up in the novel. I don't think SotS is a better collection than Griots, but it is more consistent. Every writer I like in the first volume is at least as good this time around and several of the new (to me) writers are nearly as good.

I've caught up, actually gotten a little ahead, on my review reading for next week so I'm taking a little break from S&s and started the first Max Allan Collins' Nolan book last night. I'll try to read a few Laird Barron stories this week as well. Good times!

Music this week was a blast from my past. First I scoured youtube for some old West Coast hardcore from my high school/college days, particularly Agent Orange and Channel 3. Later I dug out my mid-nineties third wave ska CDs and listened to some Goldfinger and Reel Big Fish. I enjoyed all that immensely.

Griots: A Sword and Soul Anthology - Review

   A few weeks back when I wrote about the Imaro story "The City of Madness", I started looking into the sword and soul writing being promoted by Charles R. Saunders.  As defined by Saunders, the creator of the phrase, sword-and-soul is "fantasy fiction with an African connection in either the characters or the setting...or both.  The setting can be the historical Africa of the world we know, or the Africa of an alternate world, dimension or universe. But that's not a restriction, because a sword-and-soul story can feature a black character in a non-black setting, or a non-black character in a black setting.  Caveat: Tarzan of the Apes need not apply."

   In light of the various arguments that have arisen over the existence or non-existence of racism in R E Howard and the simple dearth of black heroes in S&S I can't think of a better response than the creation of new material.  There are a host of authors creating swords-and-soul  right now and they're bringing their concerns, backgrounds and roots together in all sorts of ways.  If you have some concern that this is fiction with an agenda you're right.  However, that agenda is good fantastic fiction.  You can argue swords-and-soul isn't so much a new genre as an addition to an existing one but if using the term garners these writers attention and brings in readers who might not notice otherwise then it's fine by me.  

Charles R. Saunders

   The book that caught my eye the most was "Griots".  Broadly speaking, a griot is a West African storyteller and storytelling is what editors Milton Davis and Saunders set out to do.  It is an anthology of fourteen stories, including a new Imaro story by Saunders and one about Changa the fighting merchant by his co-editor (and the publisher), Davis.  If is isn't clear from things I've written before, I'm a sucker for pretty much any S&S collections (except the new "The Sword and Sorcery Anthology" for reasons I go into in a discussion on the Black Gate forum).  At $3.99 for the kindle version I really couldn't say no and I'm glad I didn't.  It's not all aces (though it approaches the 50% mark), but it contains exciting and wonderful stuff. It's also got a striking cover by Natiq Jalil.

   First off, sword-and-soul doesn't simply mean African themed S&S.  If "Griots" is anything to go by, it can mean stories cast in legend style or high fantasy as well as good old fashioned monster bludgeoning S&S.    

   What connects the stories are the elements put forward in Saunder's definition.  Some of the tales are set in the Africa of the real world (albeit with wizardry and monsters) and others, like the Imaro stories are set in a version of Africa to the side of the historical one.  Others are set in fantastic worlds whose roots are African just as the bulk of modern fantasy is rooted in medieval Europe.  The characters are a spectrum of black, brown and tan with roots in all the cardinal points of Africa.   Reading them brought to mind the call from Poul Anderson in his essay "On Thud and Blunder" to writers to reach for inspiration in the myths and roots beyond the European ones (I'm still waiting for the American Indian and Polynesian S&S stories).  The use of different cultural reference points alone made the book interesting.

   Six stories are of the first rank.  Of these, Carole McDonnells' "Changeling", a folklore style story of daughterly duty and sibling jealousy, and Minister Faust's take on Egyptian myth in "The Belly of the Crocodile" are my favorites and they aren't S&S.  Neither is "The General's Daughter" by Anthony Nana Kwamu, in which a victorious Ethiopian general travels the land of the dead to face a terrible sacrifice.  The other three are all very good straight up S&S.  For those who've read Davis's Changa novels (I'm in the middle of the first one, "Changa's Safari" right now), "Mrembo Aliyenaswa" is a prequel tale.  Saunder's "The Three-Face One" is as good as you'd expect from him (by which I mean it rocks).  Imaro encounters a wasteland tribe caught up in a terrible, seemingly unwinnable competition with another tribe.  "Skin Magic" by P. Dejli Clark is a tale of a thief cursed with horrible magical abilities being hunted by unknown forces across East Africa.

   "Awakening" by Valjeanne Jeffers, "Lost Son" by Maurice Broaddus, "The Demon in the Wall" by Stafford L. Battle, "Sekadi's Koan" by Geoffrey Thorne, "The Queen, the Demon, and the Mercenary" by Ronald T. Jones, "Icewitch" by Rebecca McFarland Kyle, and "The Leopard Walks Alone" by Melvin Carter make up the middle-rank.  None are bad, in fact they're all pretty decent.  Well written, often exciting, just none picked me up and threw me around the room like the other ones did.  Except for "Awakening" and "Lost Son", which invoke myths and legends, the others can be classified as S&S or at least nearly so.

   The only story I didn't like that much was "In the Wake of Mist" by Kirk A. Johnson.  Even though I appreciated what Johnson was attempting I found the writing choppy and too overwrought.    In the end, six excellent stories, seven alright ones, and only one minor disappointment, is about as solid as any pair of editors can present to the reading public.

   One of the most interesting things about "Griots" is where the writers come from.  Many of the writers come from the ranks of the professionally published.  Most have published in small press and e-zines.  Several, including Charles Saunders and Milton Davis themselves are among the ranks of the modern print-on-demand and self published.  Davis has even gone a step further and created his own publishing company, Mmedia.  I'm constantly impressed with the quantity and quality of so much of the non-professionally published (and I'm using that term for lack of a better one.  It surely doesn't reflect a non-professional quality level of talent and presentation.) work available these days.

   So I'm a big fan of Milton Davis and Charles R. Saunder's "Griots".  It's about as good a place to start, I suspect, as possible to get a sample of what constitutes sword-and-soul writing.  While there's one aim to the collection as spelled out in Saunder's definition, it's a genre speaking in many, varied voices.  And they don't  speak as mere responses to what S&S and general fantasy have already done.  These are writers building on what's come before (REH, Leiber, et al.) with new materials, bolstering and expanding the foundations and extending it in ways that hasn't been done enough in the past.  I hope I don't sound too starry-eyed by all this, but it really is exciting to see a genre I love developing before my eyes (and not just by swabbing on the blood and cynicism) and I really hope to see it take deep root and succeed.

 NOTE - I didn't mention the artwork because I haven't seen it.  Each story has been illustrated by a different artist but you only get that in the print edition.  Because I'm cheap and lacking in shelf space I lost out.  From the few pictures on Charles R. Saunder's website I think I missed out big time.

In the Mail

   Waiting on "Imaro: The Naama War" from lulu.com (it's what prompted me to write the previous post).  They e-mailed that it printed and shipped and that's got me as about excited about the prospect of a new book in the mail can get me.  I still can't believe I'm only ordering it now instead of when it first came out.
   I also just downloaded "Griots", ed. by Charles Saunders and Milton Davis, and Tim Power's "Hide Me Among the Graves" just arrived via USPS.  Good  reading ahead.